Nyasha Madamombe:
That Never Ending Stage of Grief
Take the Mantel is excited to share That Never Ending Stage of Grief, an exhibition of work by Zimbabwean-born, Richmond, Virgia-based artist Nyasha Madamombe.
Artist Statement:
This body of work explores grief, memory, and the presence of absence—what is lost yet still felt. Made in the aftermath of losing my parents and my aunt (dad’s sister), these works reflect a negotiation with my former self and a search for a way forward through making.
The works include pieces made during the final time I spent with my mother before her transition to the ancestral plane, alongside others that hold space for the ways I have experienced grief—both personally and through witnessing it in loved ones.
Also included are personal objects connected to my family, carrying the weight of memory and intimacy. These objects function as quiet markers of presence, honoring what remains when someone is gone. Together, the works create a space for mourning, remembrance, and the ongoing process of learning how to live with loss while continuing to make.
The Ancestral Plane
Nyasha discusses loss, and grapples with her loved ones transitioning to the ancestral plane.
The Stages of grief
Nyasha discusses the reality of her grief versus the expectations of grief.
Image Details
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Hidden Faces of Grief, 2026
Ceramic, plaster, paper mâché, doily mat
7.5” x 8” x 8”
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To be Honest, dzimwe nguva zvinondiremera, 2026
Wood, beads
8” x 5.5” x 4.5”
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Hari ne Hohwa, 2023
Ceramics
15” x 8” x 6.5”
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Ruvarangu, 2023
Ceramics
15” x 8” x 6.5”
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Hosho
(Zimbabwean gourd rattles)
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Doily Set
Made by Nyasha's mother, Bertha Mwenewazvo
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T.E.T. Madamombe’s hat
(Nyasha’s father)
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Doilys made by Tete Christine
(Nyasha’s Aunt)
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Nyasha and her siblings
Gathering at the funerals of her mother (bottom) and father (top)
Nyasha’s Shout Outs
We asked Nyasha for a list of artists and humans she loves. We hope you enjoy looking at their work as much as we did!
Bio:
Nyasha Madamombe is a Zimbabwean-born artist whose work illuminates untold narratives within the collective African experience. Moving fluidly across disciplines, she examines themes of collective memory, tradition, spirituality, and modernity with conceptual rigor and material versatility.
Her work has been exhibited internationally to wide acclaim, including at the National Gallery of Zimbabwe in Harare, as well as in Johannesburg, Tennessee, Chicago, and New York. She is a recipient of the Artaxis Fellowship, the NCECA Multicultural Fellowship, and the NYFA Technology Gap NFT Award.
Nyasha earned her Master of Fine Arts from the University of Tennessee, Knoxville, and her Bachelor of Fine Arts from Chinhoyi University of Technology in Zimbabwe. Passionate about art education, she is currently an Assistant Professor at Virginia Commonwealth University and has previously taught at Parsons School of Design at The New School in New York and at the University of Tennessee, Knoxville.
Website: https://nyashamadamombe.com/
Instagram: Nyasha Madamombe